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Coriolanus / Coriolano
Tempera, Mariangela
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Bompiani,
Tutte le opere. Vol. 1: Tragedie
Vol. 1, No. 1, pp: 2291-2569, Anno: 2014 |
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Prefazione
Cherchi, P.; Rinaldi, M.; Tempera, Mariangela
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Leo S. Olschki,
Giovan Battista Giraldi Cinzio Gentiluomo Ferrarese
pp: VII-IX, Anno: 2008 |
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Giorgio Strehler's La tempesta from Stage to (Comic) Screen"
Tempera, Mariangela
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Cambridge Scholars Publishing,
Shakespeare in Performance
pp: 223-234, Anno: 2013 |
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Romea, Giulietto and the South: Redifining Cultural Boundaries in Roberta Torre's 'Sud Side Stori'
Tempera, Mariangela
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Sofia University Press,
Peregrinations of the Text: Reading, Translation, Rewriting. Essays in Honour of Alexander Shurbanov
pp: 90-97, Anno: 2013 |
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Uses and Abuses of Shakespeare's Sonnets on Film and Television
Tempera, Mariangela
dettagli >>
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National Taiwan University Press,
Shakespeare in Culture
pp: 311-334, Anno: 2012 |
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Shakespearean Outdoings: 'Titus Andronicus' and Italian Renaissance Tragedy
Tempera, Mariangela
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Ashgate,
Shakespeare and Renaissance Literary Theories
pp: 75-88, Anno: 2011 |
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'Not to be': Referencing the Rest of Hamlet on Screen
Tempera, Mariangela
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Publications des Universités de Rouen et du Havre,
Shakespeare on Screen: Hamlet
pp: 345-368, Anno: 2011 |
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References to James Joyce in Film and Television: A Catalogue in Progress
Tempera, Mariangela
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Bononia University Press,
A Joyceful of Talkatalka from Friendshapes for Rosa Maria Bollettieri Bosinelli
pp: 363-372, Anno: 2011 |
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A Trail of Body Parts. Inflicting, Treating, and Staging Mutilations in Early Modern Italy and England
Tempera, Mariangela
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Harrassowitz Verlag,
Dialogue Zwischen Wissenschaft, Kunst und Literatur in der Renaissance
pp: 103-115, Anno: 2011 |
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Altre Tempeste: Le riscritture filmiche di Wilcox, Kieslowski, Mazursky e Bender
Tempera, Mariangela
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Clueb,
Strehler e oltre
pp: 335-350, Anno: 2010 |
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'Titus Andronicus': Staging the Mutilated Roman Body
Tempera, Mariangela
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V&R Unipress,
Questioning Bodies in Shakespeare's Rome
pp: 109-119, Anno: 2010 |
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"Entre [...] la reine avec la tête de Suffolk": bercer des corps démembrés dans 'Orbecche', Henry VI (deuxième partie) et 'Titus Andronicus'
Tempera, Mariangela
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Presses Sorbonne Nouvelle,
Corps sanglants, souffrants et macabres XVI XVII siècle
pp: 203-214, Anno: 2010 |
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Le due teste del principe: Cloten in 'Cymbeline'
Tempera, Mariangela
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Liguori,
Le ultime opere di Shakespeare
pp: 105-120, Anno: 2009 |
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Staged by Quick Comedians: References to Shakespeare's Roman Plays on Screen
Tempera, Mariangela
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Publications des Universités de Rouen et du Havre,
Shakespeare on Screen: The Roman Plays
pp: 305-328, Anno: 2009 |
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Il mercante di Buchenwald: 'Der Kaufmann von Venedig' di Hanan Snir.
Tempera, Mariangela
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Bononia University Press,
Shoah: la memoria e le forme della rimemorazione
pp: 69-80, Anno: 2009 |
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Shakespeare's Sonnets in Italy
Tempera, Mariangela
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SignaThur,
William Shakespeare's Sonnets: A Quatercentenary Anthology (1609-2009)
pp: 369-386, Anno: 2009 |
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" 'Whose grave is this?': References to 'Hamlet' V.i in Italian Cinema"
Tempera, Mariangela
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Edizioni Plus - Pisa University Press,
Crossing Time and Space: Shakespeare Translationt in Present-Day Europe
pp: 79-87, Anno: 2008 |
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Shakespeare in French Cinema(s): A Catalogue in Progress
Tempera, Mariangela
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Université Paris Diderot,
Shakespeare, les français, les France
pp: 231-252, Anno: 2008 |
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" 'Only about kings': References to the Second Tetralogy on Film and Television"
Tempera, Mariangela
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Publications des Universités de Rouen et du Havre,
Shakespeare on Screen: The Henriaqd
pp: 233-268, Anno: 2008 |
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Something to Declare: Italian Avengers and British Culture in 'La ragazza con la pistola' and 'Appuntamento a Liverpool'
Tempera, Mariangela
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Rodopi,
Performing National Identity: Anglo-Italian Cultural Transactions
pp: 249-263, Anno: 2008 |
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